The little ⊗ symbols mark screw locations. More about that later.
Dance Invader (ldjam41) Mac Os Version
The computer area is where I work from home, so now I work from a ballroom. The fridge in the living room is an accident of timing. While our kitchen was being remodeled in late 2019, we did all our food prep and eating in the living room, and cleaned dishes in the laundry room sink. We planned to take advantage of a program where the electric company would pay us to haul off the 1994 vintage fridge, but when the epidemic struck, minimizing grocery trips became important, so we kept the fridge.
The parts list came in at about $350, including $65 to have the lumber delivered. 4'x8' sheets of plywood do not fit in a Prius V. We chose 'HPVA' pre-sanded maple plywood. I'm pretty sure designer plywood is not recommended for flooring, but hopefully it will last a year until we can get a real hardwood floor installed, and provides a nice smooth surface.
During construction, we continued to dance in the playroom, with red masking tape marking a 12'x8' area equivalent to our future dance floor.
Operating Systems Mac OS X 10.4 PPC, Mac OS X 10.5 PPC, Mac OS X 10.5, Mac OS X 10.8, Macintosh, Mac OS X 10.4, Mac OS X 10.6, Mac OS X 10.4 Intel, Mac OS X 10.7, Mac.
Dance Invader (ldjam41) Mac Os Update
Instead of working Paulie does the space invader dance. This was another of my InvaderCon Submissions, I just wanted to space out my uploads here. I hope you enjoy! This one got 'Best Dance Video' award at Invader.
Стаж: 11 лет 7 месяцев
Сообщений: 4
Super.coni · 02-Окт-12 15:16(8 лет 7 месяцев назад)
LMMS: A Complete Guide to Dance Music Production / LMMS: полное руководство по созданию танцевальной музыки Год: 2012 Автор: David Earl / Девид Эрл Жанр: Учебное пособие Издательство: Packt Publishing ISBN: 978-1-84951-704-1 Язык: Английский Формат: PDF Качество: Изначально компьютерное (eBook) Интерактивное оглавление: Да Количество страниц: 384 Описание: You’ve scoured the forums, watched the tutorial videos, and done everything you can to learn the secrets of the art of making dance music. Everyone is saying something different about how to get into producing your own projects. This book will help connect the dots and lay a solid foundation of knowledge so you can get beats banging out of LMMS. This book will show you the ins and outs of making Dance music with LMMS. Do you make house, trance, techno or down-tempo? After this book you’ll be able to make a song that stands out from the masses, using time honoured tricks of the trade. From inception to conception, this book will help give you a workflow to channel your muse using LMMS. Readers will be given a brief lesson on the best of dance music history, then learn how to recreate it using the Open Source digital workstation - LMMS. The reader will be guided through creating a project from start to finish. By the end of this book, the reader will know how to create a full dance track in LMMS and make it ready for distribution. Along the way, readers will take short stops into music theory, song arranging, recording, and other related information to give them a good foundation for making dance music with depth as well as power. Reading LMMS: A Complete Guide to Dance Music Production will not just teach the reader how to use LMMS, but also how good dance music is crafted. The reader will not just be taught how to make decisions in LMMS, but when and why. After devouring this book, the reader should be able to focus on his or her creativity, with LMMS as a co-conspirator in the process of making great dance music.
Preface Chapter 1: Gearing Up: A Preflight Checklist Getting a studio ready to thump System requirements Installing LMMS Installing LMMS on Windows Installing LMMS on Linux Installing LMMS on Mac OS X 10.6 and above LMMS resources or where's my stuff? File management – keeping it together Managing project versions Time for action – saving our first project Playing sessions at other studios Setting up MIDI for LMMS MIDI keyboards Control surfaces Setting up MIDI in Windows Time for action – setting up MIDI in Windows Setting up MIDI in Linux Time for action – setting up MIDI in Linux using ALSA Installing MIDI in Mac OS X Getting sound out of LMMS Getting on the mic Dynamic microphone The condenser microphone A brief introduction to sound cards and audio interfaces Great resources for inspiring sounds Radiohead Indaba music Remix comps CCmixter Making custom samples Avoiding painful microphone feedback Time for action – recording with a microphone The art of listening – controlling your listening environment Composing on the fly – laptop configurations Cutting out the world – choosing earbuds Composing in a room with studio monitors Computer noise, room noise, and hum Corners are bad Hardwood floors need a rug Parallel walls aren't great Absorption versus diffusion Speaker choice and placement is important Get a good chair Summary Chapter 2: Getting Our Feet Wet: Exploring LMMS What kind of electronic musician are you? Opening the LMMS default song and making noise! Time for action – opening a new song template The Main Menu bar The Project menu The Edit menu The Tools menu The Help menu Clicking through the toolbar The top row of buttons on the left-hand side The bottom row of buttons on the left-hand side Other features of the toolbar Exploring the goodies in the side bar Using the Beats+Bassline Editor Time for action – setting the stage to build a beat Time for action – adding drums to the Beats+Bassline Editor Time for action – creating a beat pattern Our first tweaking of samples Time for action – editing samples with the Audiofile processor Time for action – adding elements and variation to our beat pattern Adding instruments to the Beats+Bassline Editor—Bass Time for action – adding bass to the Beats+Bassline Editor Our first tweaking of a synth Time for action – editing note length and root pitch in the Beats+Bassline Editor Exploring the Piano Roll editor Time for action – opening a pattern in the Piano Roll editor Time for action – changing the pitch of the bassline Using the Piano Roll in the Song Editor Time for action – muting instruments in the Beats+Bassline Editor Time for action – enabling a Piano Roll in the Song Editor Time for action – enabling a MIDI keyboard controller in the Song Editor Getting the Mixer to work in our project Time for action – routing an instrument to a channel on the FX Mixer What plugins are and where we can put 'em? Time for action – exploring FX Summary Chapter 3: Getting Our Hands Dirty: Creating in LMMS Starting our beat with the basics Time for action – making the most basic of beats Time for action – fitting the bass in Other styles in dance music Chicago style house music Time for action – creating Chicago style house music New York House Acid House Breakbeat Jungle, Drum and Bass, and Braindance Tasting the ingredients of dance music Drums The bass drum The hi-hat The snare drum The tom-tom Basses The upright bass The electric bass The synth bass Drum machines Samplers Other notables Summary Chapter 4: Expanding the Beat: Digging Deeper into the Art of Beatmaking Starting fresh Time for action – setting up long form patterns Time for action – adding harmonies to beats Placing the bass Time for action – making the bass pitch friends with our harmony Giving the beat a turnaround The importance of knowing just a little music theory The major scale How to figure out a major scale The minor scale Putting a number to a note Time for action – using the key of the song Simple guidelines for the bass Twiddling knobs to set the beat Tweaking the bass tone Time for action – sweeping a filter using automation Time for action – panning and volume automation Using automation on instrument effects Time for action – putting reverb on the clap and twiddling it Summary Chapter 5: Making Spaces: Creating the Emotional Landscape Using the Song Editor Getting the Beats+Bassline Editor's pattern into the Song Editor Time for action – moving a pattern into the Song Editor Different elements for the Song Editor Adding new parts to the Song Editor from the side bar Time for action – bringing in instruments Inputting notes into the Piano Roll in real time Time for action – playing the notes in the Piano Roll editor Time for action – using panning to spread the song out Blending the old with the new Time for action – delaying those stabs! Delay versus reverb Using FX channels to reduce CPU usage Time for action – setting up reverb on an FX bus Listening to the masters of space Summary Chapter 6: Finding and Creating New Noises Sampling audio Early sampling The grey area Getting into LMMS samples Time for action – creating a pattern completely from samples, with a drum loop The art of sampling Digital recording Recording on the main computer Software for grabbing audio goodies Unbalanced versus balanced cables Using handheld recorders Finding sounds on the Internet that won't get you sued Time for action – sound sculpting in Audacity A note about bits and samples Summary Chapter 7: Getting It All Stacked Up Get your loop set Time for action – setting up the loops Adding instruments Time for action – making our basses Making that break dirty Time for action – dirty bass Send that sound out to get effected Time for action – sending clones through effects Adding in the smooth Time for action – adding the ambient elements Using samples in the Song Editor Time for action – adding a sample track Summary Chapter 8: Spreading Out the Arrangement The art of arranging Analyzing Imagine by John Lennon Time for action – breaking down Imagine by John Lennon The purpose of the bridge The art of the break Time for action – analyzing One Laying it out for our project Time for action – spreading out the loop Summary Chapter 9: Gluing the Arrangement Together The art of the transition Using dropouts Time for action – creating a dropout with the accompanying pitch fall Creating filter sweeps Time for action – creating a filter sweep Time for action – adding in effects over time Summary Chapter 10: Getting the Mix Together What is mixing? Audio energy Digital clipping and you Time for action – separating audio streams ABCs of mixing Volume balancing Panning and stereo separation Low frequency sound Drums Keyboards, leads, and pads Vocal samples Other panning considerations Dynamics Compressors and limiters Time for action – using compression in LMMS Filtering Time for action – using EQ Types of equalizations Delay-based plugins Time for action – exploring echo and simple delays The Haas effect Time for action – exploring Freeverb Plates, springs, and convolution Time for action – exploring vintage reverb Automation Exporting the mix Mastering Summary Chapter 11: Getting into Instruments The instruments of LMMS The language of synthesis The main parts of an instrument The Oscillator section Parameters of the Oscillator section Time for action – exploring oscillators Types of synthesis Mix Phase modulation synthesis Frequency modulation synthesis Sync Amplitude modulation Time for action – exploring different synthesis methods Experimenting with subtractive synthesis Time for action – activating instrument filters Using modulation Using envelopes Using LFOs Time for action – assigning modulators in LMMS Using the Function tab Chords Arpeggio Arpeggio modes – Sort and Sync The different instruments of LMMS Bit Invader Kicker LB-302 Mallets Organic FreeBoy PatMan SF2 Vestige Vibed ZynAddSubFx Summary Chapter 12: Where to Go from Here Guilds, societies, and such ASCAP BMI SESAC Where to sell my stuff Beatport iTunes CD Baby Tunecore Music labels Community User groups Soundcloud Summary Appendix: Pop Quiz Answers Chapter 3: Getting Our Hands Dirty: Creating in LMMS Chapter 4: Expanding the Beat: Digging Deeper into the Art of Beatmaking Chapter 5: Making Spaces: Creating the Emotional Landscape Chapter 6: Finding and Creating New Noises Chapter 7: Getting it All Stacked Up Chapter 8: Spreading Out the Arrangement Chapter 9: Gluing the Arrangement Together Chapter 10: Getting the Mix Together
polkovnik222
Стаж: 11 лет
Сообщений: 840
polkovnik222 · 11-Апр-17 03:20(спустя 4 года 6 месяцев)
Kristall32
Стаж: 11 лет 2 месяца
Сообщений: 20
Kristall32 · 26-Окт-19 14:10(спустя 2 года 6 месяцев)
жаль что не на русском но все равно спасибо, хоть что то
kurse
Стаж: 10 лет 2 месяца
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kurse · 18-Сен-20 00:51(спустя 10 месяцев, ред. 18-Сен-20 00:51)
собственно, сам бесплатный проф. хост на русском языке с оф сайта + их ютуб канал:
